John Manners @ The ChurchMusic.ie Team
April 1, 2019
• Traditional Irish music, as we now know it, has a complicated history. It was no doubt influenced by the aristocratic music paid for and patronized by the old Gaelic aristocracy that ruled Ireland until the 1600’s.
• The Celts arrived in Ireland circa 500BC and become the dominant cultural force on the island very quickly. Perhaps the native traditions merged with the new Celtic traditions to create something uniquely ‘Irish’.
• From hence music certainly became a dominant force in the country in the middle ages. Foreign visitors in the 1100’s such as Gerald of Wales, a famous Norman aristocrat, praised the music he heard on the island in glowing terms.
• The harp was the most dominant Irish instrument at this time.
• All harpists were professional musicians employed by the ruling princes under a patronage system to create and perform music for them.
• In 1607 the Irish princes fled Ireland under pressure from the English invaders.
• It hugely affected the harpist’s tradition. They became ‘travelling’ harpists.
• The first modern written collection of Irish music appeared in 1762.
• It included 49 airs and was published by the Neale brothers in Dublin.
• The most significant manuscripts of Irish music from this time were created by Edward Bunting, a 19-year-old Protestant organist employed to notate what he heard at the Belfast Harp Festival of 1792.
• The manuscripts still survive today and are some of the most important documents in the history of the tradition.
• Over 2 million Irish people emigrated and ironically this resulted in helping to bring traditional Irish music across the world – particularly to the USA.
• Traditional Irish music networks were quickly established in cities with large volumes of Irish populations such as New York, Chicago and Boston.
• Recordings of Irish musicians were being made in the USA by the 1920s.
• These 78-RPM recordings made their way to Ireland and had a dramatic effect on the tradition. Musicians in Ireland began to speed up the tempo of the tunes.
• They also began to use the piano as an accompanying instrument to the fiddle and uilleann pipes, an idea previously unheard of.
• Traditional Irish music had its main setting in the houses and pubs of rural areas and music was played mainly to be danced to.
• Classical music lecturer Seán Ó Riada opened the tradition up to a much wider audience. He set up the traditional musician ensemble called ‘Ceoltóirí Chualann’.
• He used classical music forms, came up with a formula of playing solos within the group and his ensemble lead to the creation of ‘musical arrangements’.
• The group’s first concert took place in the Gaiety Theatre in Dublin. The tradition began to no longer be associated solely with rural areas and poverty.
• Innovative developments included heavy influences of contemporary plus American and European folk, into traditional music. A new sound emerged.
• Groups that rose to fame included Planxty, De Dannan, and The Bothy Band.
• The popularity of these groups paved the way for certain traditional musicians to stand alone on stages throughout the world today.
• Ventures into new areas have included fusions of traditional Irish music with rock, reggae, punk, hip hop, jazz and new age.
• Popular artists that arose include Clannad, Sinead O’Connor, Enya, The Pogues, The Chieftains and Dropkick Murphys.
• It looks identical to the violin, but its playing style and sound make it different.
• It is high-pitched, expressive, and played at a very fast upbeat pace.
• It is played with a bow and is thought to have been played in Ireland since the 17th century.
The Irish Flute
• It is a simple system transverse flute with six holes and up to eight keys.
• It is made of wood and produces a pure mellow sound that is completely unique to Ireland.
• The world famous melody “Danny Boy” is often played hauntingly on it.
The Tin Whistle
• It is a simple metal tube, with six holes and a mouthpiece with a range of two octaves. It dates back to the 12th century.
• It is also called a ‘penney whistle’ because of the whistles popularity among beggars and vagabonds on the streets of Dublin in the late 1500s.
• It is in the same category as the recorder, the Native American flute, and other woodwind instruments.
The Gaelic Harp
• The traditional Gaelic harp was wire-strung and plucked with the fingernails. It took years to master, and sounded more like a piano/guitar than a modern harp. Unfortunately there are only a handful of people in the world who can now play it.
• It was smaller, portable and originally held against the left shoulder. The right hand played the bass, the left the melody.
• The ‘Trinity College Harp’ is one of the oldest surviving Gaelic harps, dating back to the 14/13th century.
• Today’s modern Irish harp is much larger and rests on the floor. It is gut strung and has levers to alter tuning. It is really a European harp given the shape of the older Gaelic harp i.e. the pronounced curve of the forepillar, which is absent in European harps. It has the sound that is characteristic of European harps, and nothing like the sound of the original Gaelic harps.
The Uilleann Pipes
• The meaning of these pipes translates to ‘pipes of the elbow’ because of their pump-operated bellows. They would have appeared in Ireland at the beginning of the 18th century.
• They are composed of a chanter which has a range of two octaves in the key of D and often has keys. It also includes three to four drones and regulators, extra pipes which can play certain chords.
• A ‘practice set’ is often used which has no drones or regulators.
• It is a complex instrument which can take years to master.
• This is a large framed drum ranging from 25cm to 65cm in diameter and covered with stretched animal skin, typically goat skin. Seán Ó Riada is largely responsible for introducing it into the tradition.
• It is struck with a stick which is traditionally made from double-ended knucklebone to provide traditional music with a pulsating beat.
• The other side is open ended for one hand to be placed against the inside of the drum head to control the pitch and timbre.
• Published in 2017, The Trinity College Harp is a fascinating and wonderfully illustrated history of Irish music and culture during the Middle Ages.
• It features over 90 new illustrations from the Book of Kells, and tells a story long forgotten but which is essential reading for anyone interested in the history of music in the Western World. It can be bought from Dubhlinn Nua Publishing for €25.00 or $30.00 and ships worldwide.